The "Last Judgement" painting on a wall of the Sistine Chapel |
NOTE: Photos are NOT ALLOWED- so we had to pull these from the Internet
What is a Jubilee Year? - A jubilee year is a special year called by the church to receive blessing and pardon from God and remission of sins (so confessionals are open 24 hours Saturdays and Sundays in all Catholic churches in the world). The Catholic church has called jubilee years every 25 or 50 years since the year 1300 and has also called special jubilee years from time to time, known as extraordinary jubilee years. - Also, a dead pope or two in a glass coffin is brought up to the floor of St. Peters Church for people to view. (Eeeew).
Fast Facts about the Sistine Chapel (Thanks to the U.K. Telegraph for making it easy to share these):
1. Where the Name Comes From: The Sistine Chapel – Cappella Sistina in Italian – takes its name
from the man who commissioned it, Pope Sixtus IV: “Sixtus” in Italian
is “Sisto”.
2. # of Visitors Annually: Some 25,000 people a day, or five million people a year, visit the chapel.
Michelangelo didn't paint this on his back |
4. Sisto’s chapel had the same dimensions, as described in the Old
Testament, as the Temple of Solomon on Jerusalem’s Temple Mount.
5. Sisto conducted the first Mass in the chapel on August 15, 1483.
6. The Sistine Chapel is most famous for Michelangelo’s frescoes, but long before Michelangelo, Sisto commissioned painters such as Botticelli to fresco the two long walls of the chapel: one side told the story of Moses, the other the story of Christ. Even without Michelangelo’s work, these earlier paintings still represent one of Europe’s greatest fresco cycles.
7. The pope who commissioned Michelangelo’s frescoes in 1508 was Julius II, the nephew of Sixtus IV. The English word nepotism derives from the Italian nipote, meaning “nephew” from the papal practice of favouring relations. Often popes’ “nephews” were actually their sons.
8. Julius II had his own plans for the Sistine Chapel frescoes – images of the twelve Apostles. Michelangelo dismissed the idea as a “poor thing”.
9. Before Michelangelo began work the chapel’s ceiling featured a
depiction of the night sky – a simple vault of blue with a few gold
stars – by an Umbrian artist, Piero Matteo d’Amelia.
10. Michelangelo began work on the ceiling in July 1508. The completed frescoes were unveiled in October 1512.
11. The chapel’s paintings cover 12,000 sq ft (1,110 sq m),
6. The Sistine Chapel is most famous for Michelangelo’s frescoes, but long before Michelangelo, Sisto commissioned painters such as Botticelli to fresco the two long walls of the chapel: one side told the story of Moses, the other the story of Christ. Even without Michelangelo’s work, these earlier paintings still represent one of Europe’s greatest fresco cycles.
7. The pope who commissioned Michelangelo’s frescoes in 1508 was Julius II, the nephew of Sixtus IV. The English word nepotism derives from the Italian nipote, meaning “nephew” from the papal practice of favouring relations. Often popes’ “nephews” were actually their sons.
8. Julius II had his own plans for the Sistine Chapel frescoes – images of the twelve Apostles. Michelangelo dismissed the idea as a “poor thing”.
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10. Michelangelo began work on the ceiling in July 1508. The completed frescoes were unveiled in October 1512.
11. The chapel’s paintings cover 12,000 sq ft (1,110 sq m),
**AND this fact that you've likely always known differently:
12. Contrary to myth, Michelangelo did not paint on his back, but on a platform of his own devising that extended over half the area of the chapel and allowed him to stand upright. It was moved midway through the project. At no point could Michelangelo look at the work in progress from below, but he was still able to paint images on a vast scale from a distance of a few inches.
NEXT: A Closer Look at "The Last Judgement" and behind-the-scenes facts
12. Contrary to myth, Michelangelo did not paint on his back, but on a platform of his own devising that extended over half the area of the chapel and allowed him to stand upright. It was moved midway through the project. At no point could Michelangelo look at the work in progress from below, but he was still able to paint images on a vast scale from a distance of a few inches.
NEXT: A Closer Look at "The Last Judgement" and behind-the-scenes facts